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Rocky Mountain News 
March 8th, 2003 

"Body builders" 
 
Photo by Joe Mahoney@ News

Automotive works of art are rolling off a different kind of assembly line

By Steve Knopper, Special To The News
March 8, 2003

Rick Murray's Westminster workshop looks like the place where cars come to die.

In one corner is the frame of a 1994 Caprice police car, which no longer resembles a police car. Toward the back, under a huge James Dean poster, is a set of wheels and axles with no auto body on top. In the center is a 1938 Hudson - the kind mobsters might have used to speed away from a hit - containing an engine but no seats.

You might expect ghosts to fly out of the windows, but look closer. Many of these vehicles have huge silver stitches between the windows and the doors. The Caprice frame is cross-bred with the greenish, hollowed-out body of a 1951 Mercury. A half-dozen men mill around, buffing the hoods, crouching where the seats should be, talking about what these cars will look like when they're through. Maybe, if they're lucky, they'll resemble Murray's 1939 Chevrolet, a Popsicle-red, yellow-flamed, Batmobile-like sedan parked out front.

Before long you realize Murray is a sort of custom-car Dr. Frankenstein, bringing these shells to life in thrilling, unexpected ways. The other day he sized up the '51 Mercury (hauled from a junkyard on South Federal Boulevard) and had a flash of inspiration. He brought over the rear windshield from a '65 Chevy, and by some miracle, it fit.

"I go home and I just freak out," says Murray, who has owned Krazy Kreations, what he calls a "friend shop," for four years at 7101 Julian St. "I go, 'I got an idea!' That's why I've got so many projects going on."

Murray, 40, is a Denver native who grew up loving old cars. You can find him at Krazy Kreations almost any time of day or night, wearing a faded Harley-Davidson T-shirt and loping his skinny body from low-rider to rat-rodder, adding a flame here, a $700 transmission there.

Cruising right along

It's still too cold for the street rods to come out on Federal Boulevard. But they will, especially on days like Cinco de Mayo, when people pack the streets to watch the honking parades and car contests. And on certain nights, informal car clubs meet at a Sonic Drive-In in Westminster, a cruising spot at Federal and West Alameda Avenue and the Jumbo Car Wash on South Federal - and the communities grow by word of mouth. Shops like Murray's are at the heart of this loosely organized car culture.

"You've got to have your own flavor. It's not something you can go out and buy," says Lee Trevino, a Greeley truck driver whose El Vago Productions puts on car shows regularly in Denver. "Rick's got that vision. He's a master welder - he can take a top of a car and put it on another one. He can build stuff that nobody else can see."

Murray runs his shop like an artists' collective or, as one of his son's friends calls it, an "internship." Kids show up, work on the cars all day and leave. Murray gives many of the finished results away, keeps some (like his own souped-up '39 Chevy) to drive his son to school and sells others.

The Murray brothers say they aren't in it for the money. "There's no money in customizing," says Randy Murray. "It's a hobby, and you have to have a passion for it." But Rick Murray recently spotted a 1938 Hudson on the street and bought it - for $3,500 - from a young woman who'd inherited it from her dead father. A few weeks of work and $500 worth of parts later, Murray received a $10,500 offer for it. "I turned it down," he says. "I wanted to drive it around. I didn't want to sell it. It's no fun unless you can drive it."

Living their dream

The nontraditional Krazy Kreations, where Murray refuses to speak of his customers as "clients," isn't the only car-customization shop in Denver, of course. On the opposite side of the city, at 3159 S. Zuni St., Neal Hogsett has since 1977 turned Datsuns, Chevrolets and even a large fish - a prize from a friend, hanging on his office wall - into jacked-up hot rods more suitable for Bandimere Speedway than Interstate 25.

But Hogsett's customers tend to drive their creations around town, rather than "trailer-queening" them from car show to car show. Along with Ron Lind, another body-and-paint specialist who rents space at N-H Custom Creations, Hogsett works on clients' long-term projects. He recently helped a Denver businesswoman turn her beat-up, dead-green Chevelle into a silver street rod. The transformation took three months, and all Lind had to do was remove the hood, doors and fenders and replace the upholstery and the top.

"We just try to live their dream," says Lind, who did insurance work at a Subaru body shop for years. Frustrated with boilerplate, deadline repairs, he moved in with Hogsett six years ago. "The nice part is, if it's people's dreams, they don't need them to get to work."

'Cruella de Vil's car'

Lind customer Ron Rossetter doesn't need his 1982 Excalibur Roadster to drive from his mountain home to his office at Evergreen Glass. The 49-year-old businessman is the first to admit he looks like he doesn't belong in a car like this. There are only about 60 such models in existence, according to legend, and celebrities such as Phyllis Diller and Robert Wagner are said to have owned them.

Rossetter has a huge handlebar mustache and beard, wears his hair to his shoulders and munches on pizza and sips Mountain Dew as he talks about the Roadster.

"I'm a motorhead," he says.

He bought it in 1994 for $17,000 from a rich old guy in Arkansas, where his wife happened to be traveling when she spotted the for-sale ad. The owner, apparently, just wanted to get rid of it.

Since then, Rossetter - with help from Lind - has put $40,000 worth of work and parts into it. The Roadster is incredible. All sleek curves, dark purple paint, elaborately ribbed silver hubcaps and leather interior, it looks like something Thurston Howell III would have driven around Beverly Hills before he became stranded on Gilligan's Island. It drives milkshake smooth.

"My wife describes it as 'Cruella de Vil's car,' " says Rossetter, referring to the evil dog-napper in Disney's 101 Dalmations. "We're normal folk. Me and my wife are normal people. Not in this."

From the moment the couple drove the Roadster from Arkansas back to Evergreen, people started honking. It was so obvious that Rossetter worried something was wrong with the car. But it was just the mystique - and to this day, they'll drive it to Vegas or a LoDo steakhouse and always get preferential treatment .

"For God's sake, man! The people!" Rossetter says. "No matter where you go, you meet all these people! And they're happy! But it's an illusion. I keep telling everybody, 'It's not what you're thinking.' "

The custom-car movement isn't just a male-oriented hobby.

"As a man, I never would have picked a car like this," Rossetter says of his Roadster. "It takes a woman to pick it out and a man to put the testosterone under the hood."

"There are a lot of women into hot rods now," says Tom Albano, longtime owner of Denver Specialty Center, which sells custom-car parts to body shops. "A lot of women have their own cars. A lot of husbands build cars for their wives; the wives tell them what they want."

A real head-turner

Back on Denver's north side, Rick Murray has experienced the same gawking phenomenon. After buying the skeleton of his 1938 Chevy for $8,000, spending $2,500 on parts and working feverishly for two months with an eight-man crew, the car regularly wins Cinco de Mayo contests. (It also sells for $65,000 on the Krazy Kreations Web site.) It also causes a stir wherever Murray goes.

"Some people - if I'm at a restaurant or something and I'm in it, they'll actually run to 7-Eleven and buy disposable cameras to take pictures," he says. "Sometimes it gets a little hectic. If you have a day that you don't want anybody to talk to you - you don't want to drive that car.

"It'll actually stop people in their tracks. These kinds of cars - they literally cause accidents. I feel bad because of the wrecks. But it's pretty wild, a totally different feeling."

 



Posted here by permission of the author. 
Steve Knopper is a Denver-based freelance writer.

 
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